Another reminder that Toronto isn't New York City after all.
Closed ("temporarily") just five months after opening to much fanfare, Live@Courthouse is now officially dead — leaving Toronto once again without a full-time jazz club that books touring artists over multi-night stands. According to Ashante Infantry's article in the Toronto Star, Nick Di Donato pulled his support from the project. The posh 150-seat club, which operated out of a building owned by Di Donato's Liberty Entertainment Group, was meant to showcase top-flight artists, but never scored a loyal audience.
Coming on the heels of failures by the Bermuda Onion, George's Spaghetti House, the Top o' the Senator and the Montreal Bistro, it raises the question if Toronto has what it takes to support jazz beyond what goes on at the rough-and-tumble Rex and the occasional other local venue. If the rumours prove true, and Toronto fails to draw U.S. attendees in sizable numbers to next January's International Association of Jazz Education conference (the event regularly attracts upwards of 4,500 delegates when it's in New York) the city is likely to develop a real complex.
Showing posts with label Courthouse. Show all posts
Showing posts with label Courthouse. Show all posts
Monday, November 12, 2007
Tuesday, March 20, 2007
Court Is In Session
A new jazz club, Live @ Courthouse, opens in Toronto March 22 – a new, permanent venue to take up the slack created when the Montreal Bistro and Top o’ the Senator stopped presenting live jazz. With 25-foot ceilings, an oak stage, two levels of seating, and an ambience based on Spike Lee’s film, Mo’ Better Blues, Courthouse is no basement dive. The owners – Liberty Group Entertainment – estimate that they’ve invested about $500,000 (Canadian), including $60,000 for a new piano. With cover charges in the $30 range for out-of-town artists booked on weekends, Courthouse is clearly aiming to attract a moneyed crowd, though some $10 gigs will be available on weeknights.
This puts Courthouse in line with some established New York City clubs like Iridium and The Jazz Standard. Hopefully, manager Patrick Taylor’s booking policy will follow the model of those clubs, too, because they’ve made their mark by not equating great sound, good food and comfortable seating with conservative music. While Iridium and The Jazz Standard do their share of safe, predictable bookings, they haven’t shied away from bringing in Cecil Taylor’s big band or Myra Melford, either.
Time will tell if Courthouse is as open-minded.
This puts Courthouse in line with some established New York City clubs like Iridium and The Jazz Standard. Hopefully, manager Patrick Taylor’s booking policy will follow the model of those clubs, too, because they’ve made their mark by not equating great sound, good food and comfortable seating with conservative music. While Iridium and The Jazz Standard do their share of safe, predictable bookings, they haven’t shied away from bringing in Cecil Taylor’s big band or Myra Melford, either.
Time will tell if Courthouse is as open-minded.
Subscribe to:
Posts (Atom)