I caught fellow Ottawan and DownBeat contributor D.D. Jackson last night at a taping for the radio program Fuse, which runs nationally on the Canadian Broadcasting Corporation.
The show's concept is to bring together two musicians who have never worked together previously and see what develops, but the musicians are seldom as disparate as Jackson and singer-songwriter Emm Gryner. Although Gryner studied piano as a kid and has a father who's a jazz fan, it seems like a cruel mismatch to pair her with D.D., a classical prodigy who managed the impossible by stepping nimbly from apprenticeship with the fearsome Menachem Pressler to similar status with Don Pullen and Jaki Byard. Still, they found common ground, with Gryner—who played bass in a teenage pop band with her brothers—providing rudimentary bass accompaniment to one of Jackson's gentler compositions, and wordless vocals to his stormy "Final Invocation: Towers Of Light" from his terrific New York Suite CD. Jackson added lush piano fills to several of Gryner's songs, assuming the role of the strings on her latest recording. To finish the program they came up with a powerful arrangement of Neil Young's "Ohio," which played to both their strengths.
Great to see this risky concept executed so effectively.
Jazz journalist James Hale's observations on the contemporary music scene, festivals, events and whatever he's been listening to.
Showing posts with label jazz radio. Show all posts
Showing posts with label jazz radio. Show all posts
Wednesday, November 22, 2006
Wednesday, November 15, 2006
Ornette on NPR
One of the joys of the Internet is the ability to access media from around the world, and for me here in Canada that includes National Public Radio in the US, which continues to employ freelance contributors like Kevin Whitehead and Ashley Kahn, and to look beneath the surface of the mainstream to feature artists who have something to say.
The most recent example of this is an interview with Ornette Coleman by Kahn, as well as an essay by Kahn on Coleman's new recording, Sound Grammar.
You can check it out under Arts & Culture at NPR's site.
The most recent example of this is an interview with Ornette Coleman by Kahn, as well as an essay by Kahn on Coleman's new recording, Sound Grammar.
You can check it out under Arts & Culture at NPR's site.
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